Showing posts with label Oasis. Show all posts
Showing posts with label Oasis. Show all posts

Friday, 26 November 2010

ALAN MCGEE TO ADD AUTHENTICITY TO SCREAMADELICA ANNIVERSARY TOUR BY SWALLOWING A GOB-FULL OF E AND WANDERING ABOUT BACKSTAGE TALKING ABSOLUTE BOLLOCKS

As if it wasn’t embarrassing enough already to tour off the back of a twenty year old album because recent material has been uninspired bargain-bin fodder with lyrics like “I‘m the garbage man/I’m the garbage man/Sticky fingers in your trashcan/I’m the garbage man”, now Bobby Gillespie (Mick Jagger for the rave generation) has decided to take his midlife crisis to a new low. Primal Scream’s 2010/11 tour sees the band playing their 1991 album Screamadelica in full, even though the record sounds rather dated these days and it was all producer Andrew Weatherall’s work in the first place. To relive his hedonistic, carefree youth, and to “add authenticity” to the tour, Bobby Gillespie (The Aldi Mick Jagger) has hired ex-Creation Records boss Alan McGee to be present backstage on every date of the tour, during which he will be required to consume a minimum of seven ecstasy pills per night with which to inspire his characteristic horseshit pronouncements such as “yir witnessing the future o’ music” and “ah bet yirs tae thousand poonds the nex' Heavy Stereo record is ga’in triple pla’inum, aye.”

The ‘Scream, as they are known by people who also still listen to Oasis and Shed Seven, are to reissue Screamadelica on March 7 next year, as a special collector’s edition boxset which will include 2 double LPs, 8 CDs, 27 ‘making of’ DVDs, a limited edition print of Bobby Gillespie (Mick Jagger for the deaf and the stupid), a postcard collection, two glossy posters, a t-shirt, a butcher, a baker, and a candlestick maker. The set is to be remastered by Kevin Shields and will thus fortunately never see the light of day.

Friday, 13 August 2010

OASIS TO REFORM FOR SPECIAL 'BE HERE NOW' THIRTEEN-YEAR ANNIVERSARY SHOWS

Noel Gallagher today sent shivers of anticipation through the music world by announcing that he is to make amends with his estranged brother Liam, and follow in the footsteps of his archrivals Blur, by reforming his old band: Oasis. The group are poised to play a five-night residency at the HMV Forum, each night performing their seminal third album Be Here Now in its entirety.

The shows are the latest in the ATP promotions’ Don’t Look Back series of concerts, in which cult musicians are asked to recite their most definitive album in full, from beginning to end. Previous successes have included The Lemonheads doing It’s a Shame about Ray, Mudhoney performing Superbuzz Bigmuff Plus Early Singles, Slint playing Spiderland, and Terence Trent D’Arby blasting through his cross-genre groundbreaking kazoo-wielding opus Neither Fish Nor Flesh.

As well as having coaxed the return of his erratic younger brother, the reunited all-star Oasis line-up will feature the talents of Paul “Bonehead” Arthurs, Paul “Guigsy” McGuigan, Andy “Belly” Bell, Gem “Gemmy” Archer, Tony “Carrolly” McCarroll, and Zak “Zak Starkey” Starkey. Also returning to the fold will be Noel Gallagher’s famous monobrow, “Monny”. The monobrow, sported by Noel during the years of Oasis’ artistic and commercial peak, has not been sighted since 2006 when Noel was persuaded to drop the ‘brow when receiving male grooming tips from his new friend Russell Brand who was dressed as a disabled pirate. Rumours among music industry insiders suggest that Monny consequently fell on hard times and in order to make ends meet found a day-job as a professional shoe polisher, whilst satisfying his need to perform by playing gigs in the evenings around the West Midlands area as a member of Charlatans tribute band ‘The Charlatan Charlatans’.

Messageboards have been buzzing with fans’ excitement at the opportunity to hear all their favourite Oasis tunes one more time; D’You Know What I Mean, All Around the World, and Magic Pie, to name just three. The only disappointment has been the news that Johnny Depp, who provided additional guitar on the classic number “Fade In-Out”, will not be appearing at the shows, as he is far too busy dressing up as a disabled pirate.

Some devotees of the ATP concerts and festivals have criticized the Oasis shows as evidence of the increasingly commercial and populist nature of the promotional company, once regarded as an important supporter of alternative and outsider music. These accusations have been denied by Barry Hogan, ATP’s head honcho, who claimed to have been a follower of the Mancunian indie rockers since “even before Wonderwall”, speaking to us from his secret lair built into the hills overlooking Butlin’s, Minehead, through a golden telephone, whilst receiving a massage from the identical twin sisters from School of Seven Bells.