ALAN MCGEE TO ADD AUTHENTICITY TO SCREAMADELICA ANNIVERSARY TOUR BY SWALLOWING A GOB-FULL OF E AND WANDERING ABOUT BACKSTAGE TALKING ABSOLUTE BOLLOCKS

As if it wasn’t embarrassing enough already to tour off the back of a twenty year old album because recent material has been uninspired bargain-bin fodder with lyrics like “I‘m the garbage man/I’m the garbage man/Sticky fingers in your trashcan/I’m the garbage man”, now Bobby Gillespie (Mick Jagger for the rave generation) has decided to take his midlife crisis to a new low. Primal Scream’s 2010/11 tour sees the band playing their 1991 album Screamadelica in full, even though the record sounds rather dated these days and it was all producer Andrew Weatherall’s work in the first place. To relive his hedonistic, carefree youth, and to “add authenticity” to the tour, Bobby Gillespie (The Aldi Mick Jagger) has hired ex-Creation Records boss Alan McGee to be present backstage on every date of the tour, during which he will be required to consume a minimum of seven ecstasy pills per night with which to inspire his characteristic horseshit pronouncements such as “yir witnessing the future o’ music” and “ah bet yirs tae thousand poonds the nex' Heavy Stereo record is ga’in triple pla’inum, aye.”

The ‘Scream, as they are known by people who also still listen to Oasis and Shed Seven, are to reissue Screamadelica on March 7 next year, as a special collector’s edition boxset which will include 2 double LPs, 8 CDs, 27 ‘making of’ DVDs, a limited edition print of Bobby Gillespie (Mick Jagger for the deaf and the stupid), a postcard collection, two glossy posters, a t-shirt, a butcher, a baker, and a candlestick maker. The set is to be remastered by Kevin Shields and will thus fortunately never see the light of day.

CENTRAL INTELLIGENCE AGENCY COULDN'T GIVE A SHIT ABOUT M.I.A.

An insider from the C.I.A. has revealed exclusively to Spinal Bap that the intelligence agency to which he belongs is not in the least bit interested in the activities, opinions, pronouncements, or (especially) the music of Maya Arulpragasam, aka M.I.A.

This information is contrary to the claims of Arulpragasam herself, who is under the impression that the C.I.A. has bugged the telephones of both her and her extended family, and that the agency’s operatives follow her every movement in surveillance vans disguised with the words “U.P.S.”, “FEDEX”, and “ICE-CREAM”.

The reason, M.I.A. believes, for her supposed observance are her outspoken, controversial, and undeniably radical comments in press interviews, a small number of which read as follows:

“Governments are, like, well bad, aren’t they? Do you know what I mean? Cos, they, like, do wars and stuff. And wars are bad.” (NME, 2005)

“You know that movie, The Social Network, yeah, well that movie is just propaganda conceived to cover up the fact that Facebook was actually invented by The Pentagon to survey the activities of the masses. It’s, like, totally what happened in that book, Big Brother by George Orwell… which I’ve nearly finished reading.” (Guardian Weekend Magazine, 2010)

“Terrorism is good, you know, if it’s for a good thing, but terrorism what is for a bad thing, that’s, like, well, a really bad thing. But, you know who the real terrorists are, don’t you? It’s the governments. And the oil companies. Yeah, I said it!” (New Statesman, 2008)

M.I.A.’s lyrics, she claims, are also cause for concern for the U.S. government. For example, the incisive and incendiary rap/poetry of 2010 track Lovalot:

They told me this country was free
The FBI, well they don’t like me
‘Cos I’m just like Bob Marley
And also loads like Mahatma Gandhi
Shuck-a-lucka-lee
Push pineapple shake the tree

Our C.I.A insider denied M.I.A.’s allegations, however, stating that “the state is on high terrorism alert, for God’s sake. The Taliban are continuously establishing more and more fundamentalist sleeper cells throughout the western world with the aim of destroying every aspect of our society, culture, freedom, happiness, our life as we know it. Don’t you think we’ve got better things to do with our time than follow the insipid actions of a Mercury nominated hip-hop/grime/world music fusion artist?”

He also urged other musicians to try to curb their egos and sense of self-importance, instead of perpetuating the damaging myth that the security services are wasting tax payers’ money on surveying celebrities who are both harmless and overexposed in the media in the first place. The C.I.A. operative, who has close connections with his British counterparts, asked us to recall the interview in which Radiohead’s frontman made similar announcements, around the time of the group’s comatose glitch-pop album Kid A. “Remember when Thom Yorke decided that MI5 had a file on him? I chased that up. Turns out they had a copy of OK Computer next to the office stereo, with a post-it note stuck to the CD case reading ‘about as threatening as a damp ham sandwich.’”

Though of course he would say that.

CHARLIE BROOKER TO RELEASE DUETS ALBUM WITH WIFE KONNIE HUQ

Acerbic clog-faced journalist and television personality Charlie Brooker has announced plans to penetrate himself further into the mainstream by releasing an album of romantic duets with his sparkling television personality wife, Konnie Huq.

The album looks set to be the most hotly anticipated collection of celebrity duets since Peter Andre and Katie “Jordan” Price’s top 20 smash A Whole New World in 2006. Titled Beauty and the Beast, Brooker and Huq’s record will be released early next year and will contain the following cover versions (original artists in brackets):

1) Especially for You (Kylie Minogue and Jason Donovan)
2) I Got You Babe (Sonny and Cher)
3) You’re The One That I Want (John Travolta and Olivia Newton-John)
4) 7 Seconds (Neneh Cherry and Youssou N’Dour)
5) Je t’aime (Jane Birkin and Serge Gainsbourg)
6) Islands in the Stream (Big Tits and Beardy)
7) Crazy In Love (Beyonce and Jay-Z)
8) I’d Do Anything For Love (But I Won’t Do That) (Meatloaf and Mrs. Meatloaf)
9) Never Be The Same Again (Melanie “Sporty Spice” Chisholm and Lisa “Left Eye” Lopes)
10) Baby When You’re Gone (Melanie “Sporty Spice” Chisholm and Bryan “Gravelly Face” Adams)
11) I Wanna Be Like You (King Louie and Baloo the Bear)

Having recently quit his Screen Burn column in the Guardian newspaper because he suddenly started to empathise with the vacuous celebrities he had been lacerating after marrying one*, the album will no doubt lead to further questions of Brooker’s integrity and the inevitable accusations of selling out. Already messageboards have been flooded with angry posts from juveniles who enjoy reading rude things about people on the telly whilst sniggering like Beavis and Butthead.

Huq’s fans, meanwhile, have registered little complaint, being very few and unable to achieve any state of being higher than that of perplexed gormlessness.


* http://www.guardian.co.uk/tv-and-radio/2010/oct/16/charlie-brooker-leaving-screen-burn