Showing posts with label Blur. Show all posts
Showing posts with label Blur. Show all posts

Tuesday, 19 December 2023

SPINAL BAP'S TOP ALBUMS OF 2023

All across the land every magazine, website, record shop, public house and branch of Pavers shoeshops have topped their end-of-year charts with a certain Irish folk act. For one year only, everyone is in agreement. It’s like we’re being asked to Lankum together. Why now? This band’s been going for ages, you bunch of Johnny-Lankum-latelys. Are they really at their peak or is the best yet to Lankum? “Should we wear black tie to any of the multiple awards ceremonies we’ve been invited to?” asked the Dublin fourpiece. “Don’t worry,” they were told. “Lankum as you are.” The musicians were also concerned about what time to turn up because they only Lankum out at night. Don’t let them on the karaoke microphone! Unless you want to hear a morbidly droning version of ‘Lankum On Eileen’. Sick of hearing about this band already? Here Lankums that sinking feeling. Don’t worry, though. A change is gonna Lankum...

…because there is one list this season which promises not to include that band at all. Spinal Bap
’s Top Five Albums of 2023! LANKUM ON FEEL THE NOIZE!!!


Blur – The Ballad Of Darren Hayman


The ninth album from the knees-up fourpiece coincided with their first live shows since whenever their last ones were. Savvily, the bass-playing farmer of the group managed to synchronise Blurs latest comeback with the launch of his undrinkable ‘Britpop’ wine. Not a very imaginative name, that. He never was the brightest beetlebulb in the country house. How about ‘There’s Nero d’Avola Way’? Or the more straightforward ‘This Is A Merlot’? It pairs nicely with the cheeses Alex James also produces. Like ‘Charmless Manchego’.

The Ballad Of Darren Hayman
was a concept album about another bloke from Essex who can’t stop writing concept albums. For those who haven’t been following the ex-Hefner member’s solo career, the overriding themes of Mr. Hayman’s countless albums have included astronauts, relationships, villages, the English Civil Wars, relationships, outdoor swimming pools, relationships, other villages, indoor swimming pools, indoor fireworks, relationships, London, relationships, the political writings of William Morris, towns, trains, Outer London, cafes, seasides, that bit of London you always meant to visit but haven’t got around to seeing yet and relationships.


There is a rumour he will be returning the favour by writing a whole album about Blur. Its working title is
Country Sad Ballad Hayman and it is said to include ‘The Hymn For The Coffee & TV’.


Andre 3000 – New Kazoo, Son?



A true artist follows their creative instinct rather than capitulating to audience expectations. That’s why, when everybody was hoping for his first album of new age flute-based material, the ex-Outkast rapper confounded his followers by releasing an album recorded entirely on the kazoo. “I wanted to make a flute album, because in a way you really do want to please your fans,” explained Andre 3000. And yet his heart kept being drawn back to the kazoo, not least due to his love for the solo section on Ringo Starr’s version of ‘You’re Sixteen’. Following Andre’s half‑decade quest to master the instrument, the result was nearly 90 minutes of unlistenable parping.


The National –
The First Two Pages Of Frankenstein Are A Lot More Interesting Than Listening To Our Boring Ballads

Matt Berninger took this album title from the novel he turned to when suffering from writer’s block, a condition from which he claims to have recovered. The lyrics are full of other suggestions for things to do if you’re having trouble sticking with the record’s 47 feeble minutes of sad-dad softrock. Better bands are mentioned, for instance, like Afghan Whigs and New Order. Put them on instead. Failing that, you could investigate the work of those who guested on The National’s record: Phoebe Bridgers, Sufjan Stevens or Taylor Swift. Much more fun. As if to rub in the salt, the band released another album in 2023, which included the song ‘Turn Off The House’. Turn off the stereo, more like.


Metallica – 72 Seasonings



Refusing to run out of ideas, the world’s biggest metal band turned to the massive spice rack in one of their fancy mansions for inspiration. You could say it was about thyme. The outcome was easily their best record since 1983’s herbcore thrash classic Dill ‘Em All. Built around appropriately spicy riffs were heavy numbers such as ‘Fenugreek & Destroy’, ‘Bad Mustard Seed’ and ‘The Four Horseradishmen’. There was a relatable poignancy to this album too, especially the aftermath of a particularly hot curry that’s described in the verses of ‘Jalapeño Remorse’. The band proved they could still bring it down a notch with ballads like ‘Fade To Black Pepper’, ‘Cardamomma Said’ and ‘Hero Of The Bay Leaf’.

Bonus tracks included a re-recording of the title track from Metallica’s second album, ‘…And Justice For Allspice’, and a cover of the classic Diamond Head tune ‘Am I Chervil?’


Lankum –
Lankum Rain Or Lankum Shine 

Oh, sod it. Fine. Lankum are in this list too. Well, you know what they say. If you can’t beat ‘em…

  

LANKUM!



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Friday, 24 December 2010

SPINAL BAP'S TOP ALBUMS OF 2010

The xXx - xXx
Unenthusiastic disco-goth featuring an unusually subdued Vin Deisel.

Janelle Monáe - The ArchAndroid
So ground-breaking, forward-thinking, and futuristic it didn’t even have gaps between the songs. Like Madonna’s Confessions on the Dancefloor. From 2005.

Robyn - Body Talk
SHE’S THE CREDIBLE FACE OF POP MUSIC
SHE’S THE CREDIBLE FACE OF POP MUSIC
SHE’S THE CREDIBLE FACE OF POP MUSIC
SHE’S THE CREDIBLE FACE OF POP…
Why aren’t you listening?
What do you mean you’re not interested?
Hello?

Katy Perry - Teenage Dream
An album as refreshing as having an ignorant Californian partygirl spray Bacardi hangover piss into your eyes and mouth whilst Snoop Doggy Dogg does a bit of a rap.

Gorillaz - Plastic Beach
Following the success of this record, Gorillaz mainman Murdoc plans to spend 2011 working on his conceptual cartoon band Blur. The “band” is made up of fictional characters based on age-old rock clichés who perform contrived novelty pop music for children. The members are “Damon” (the sanctimonious one), “Graham” (the misunderstood one), “Dave” (the boring one), and “Alex” (the floppy-haired cheese-making cunt). The project is a collaboration with Murdoc’s old flatmate, Arnold from Hey Arnold!

Hawkwind - Yes, We Are Still Going
Hawkwind are actually still going. This was their 283rd LP, they spent last month touring the UK, and currently live in what band leader Dave Brock believes to be a inter-dimensional multi-galactic quantum spaceship (a pokey bed-sit with tin foil for wallpaper and an overabundance of lava-lamps).

Michael Jackson - Yes, I did those things to those boys
Surprisingly confessional posthumous album from the late King of Pop.

Joanna Newsom - Have One (or rather, have eighteen) On Me
A record so needlessly long if you tried to sit through the whole thing in one go you’d end up with hair as long as Newsom’s herself and as well as a crippling physical aversion of all harps. But you can avoid listening to her warbling faux-folk hippyisms and still enjoy the album by not even playing the record and simply staring longingly at the many beautifully composed artful photographs of the singer’s long, stocking-clad legs which Newsom so generously included in the insert.

Vampire Weekend - Cuntra
Who says vampires have to hang around in coffins drinking blood and avoiding garlic? Some turn up in broad daylight, slap-bang in the middle billing of some popular indie festival, and proceed to play the kind of material Paul Simon himself would dismiss as “a little too Radio 2”.

Cher and Christina Aguilera - Burlesque Soundtrack
No, no, you’re quite mistaken. Burlesque in fact differs significantly from the humiliating and degrading practices of stripping or lapdancing. It involves elements of satire and vaudeville, the women are actually empowered by the experience, the participants never get completely naked, and sometimes even fat ugly birds are allowed to take part. But not in this film, thank god. The best scene featured Cher feeding a vocoder into the lips of her botoxed vagina and squeezing out a range of differently pitched fanny-farts which Christina then had to match with her multi-octave voice, despite the disadvantage of having her throat clogged up by a particularly stubborn globule of executive producer semen.