Showing posts with label Hawkwind. Show all posts
Showing posts with label Hawkwind. Show all posts

Monday, 18 April 2011

GLASTONBURY GOERS WELCOME LINE-UP UNLIKELY TO DISTRACT FROM THEIR PRINCIPAL INTENTION OF GETTING SHIT-FACED

Glastonbury Festival 2009 - Legomenphoto © 2009 Unofficial Glastonbury Festival more info (via: Wylio)

The full line-up for this year’s Glastonbury Festival was revealed this week, and has so far been enthusiastically praised by the majority of ticket-holders as there remains little danger of the music distracting from their primary concerns of watching jugglers, purchasing amusing headwear, lying facedown in the sun/mud, aimlessly wandering around talking drivel, and getting totally dribble-headed on all manner of legal and illegal herbal and chemical intoxicants.

Cassandra Palmer-Smythe, a student from Tunbridge Wells, tweeted: “Fought there wuz gonna be some propa legends on the bill. Luckily, U2 and Coldplay, innit. More time for ket wiv da boyz. Lol!”

With a line-up which also includes Elbow, Morrissey, Biffy Clyro, Mumford & Sons, Glasvegas, and Kaiser Chiefs, festival-goers have been relieved to know that there is very little reason to visit the major stages at all, and that they can simply relax and enjoy themselves safe in the knowledge that they will not be missing anything of any consequence or substance whatsoever.

Jasper Carter-Floyd, a marketing executive from Oxford who has been attending the festival since his teens, blogged: “Man, I remember when they used to have half-decent acts on. It was really rather dreadful. One year I spent two hours completely sober because I’d left some stuff back at Daddy’s camper van and couldn’t drag myself away from The Cure. Won’t have that trouble this year. Going to get really, really blathered.”

Organiser Emily Eavis emphasized that polls had proven that attendees had more fun when the acts booked were little more than background noise, even if this meant, paradoxically, spending more money on the headliners. Not all the bands which will be performing this year are completely mind-numbingly boring, but those which might excite have been kept to a bare minimum, whilst two of those acts, the Wu-Tang Clan and Beyoncé, are of African-American descent. They are thus unlikely to attract the attention of a large number of the festival goers, many of whom are, as proven by the controversy of Jay-Z’s headlining slot in 2008, massively intolerant hip-hop-hating racists.

Timothy “Peace Dragon” Dewhurst, a hippy who has been attending the festival religiously since its inception in the ‘70s, did not choose to announce his thoughts on the line-up via the medium of Twitter, instead choosing to stroll into Bristol city centre wearing a wizard’s hat and a glittery cape and announcing through a handmade cardboard loudhailer: “It used to be about the music maaan. Music and love. Love and music. You, me, the pagan brethren. I mean… for a start, where the hell are Hawkwind?”

When asked if he would be boycotting the festival, Mr. Dewhurst confirmed that he was still looking forward to The Crazy World of Arthur Brown on the Friday.

Friday, 24 December 2010

SPINAL BAP'S TOP ALBUMS OF 2010

The xXx - xXx
Unenthusiastic disco-goth featuring an unusually subdued Vin Deisel.

Janelle Monáe - The ArchAndroid
So ground-breaking, forward-thinking, and futuristic it didn’t even have gaps between the songs. Like Madonna’s Confessions on the Dancefloor. From 2005.

Robyn - Body Talk
SHE’S THE CREDIBLE FACE OF POP MUSIC
SHE’S THE CREDIBLE FACE OF POP MUSIC
SHE’S THE CREDIBLE FACE OF POP MUSIC
SHE’S THE CREDIBLE FACE OF POP…
Why aren’t you listening?
What do you mean you’re not interested?
Hello?

Katy Perry - Teenage Dream
An album as refreshing as having an ignorant Californian partygirl spray Bacardi hangover piss into your eyes and mouth whilst Snoop Doggy Dogg does a bit of a rap.

Gorillaz - Plastic Beach
Following the success of this record, Gorillaz mainman Murdoc plans to spend 2011 working on his conceptual cartoon band Blur. The “band” is made up of fictional characters based on age-old rock clichés who perform contrived novelty pop music for children. The members are “Damon” (the sanctimonious one), “Graham” (the misunderstood one), “Dave” (the boring one), and “Alex” (the floppy-haired cheese-making cunt). The project is a collaboration with Murdoc’s old flatmate, Arnold from Hey Arnold!

Hawkwind - Yes, We Are Still Going
Hawkwind are actually still going. This was their 283rd LP, they spent last month touring the UK, and currently live in what band leader Dave Brock believes to be a inter-dimensional multi-galactic quantum spaceship (a pokey bed-sit with tin foil for wallpaper and an overabundance of lava-lamps).

Michael Jackson - Yes, I did those things to those boys
Surprisingly confessional posthumous album from the late King of Pop.

Joanna Newsom - Have One (or rather, have eighteen) On Me
A record so needlessly long if you tried to sit through the whole thing in one go you’d end up with hair as long as Newsom’s herself and as well as a crippling physical aversion of all harps. But you can avoid listening to her warbling faux-folk hippyisms and still enjoy the album by not even playing the record and simply staring longingly at the many beautifully composed artful photographs of the singer’s long, stocking-clad legs which Newsom so generously included in the insert.

Vampire Weekend - Cuntra
Who says vampires have to hang around in coffins drinking blood and avoiding garlic? Some turn up in broad daylight, slap-bang in the middle billing of some popular indie festival, and proceed to play the kind of material Paul Simon himself would dismiss as “a little too Radio 2”.

Cher and Christina Aguilera - Burlesque Soundtrack
No, no, you’re quite mistaken. Burlesque in fact differs significantly from the humiliating and degrading practices of stripping or lapdancing. It involves elements of satire and vaudeville, the women are actually empowered by the experience, the participants never get completely naked, and sometimes even fat ugly birds are allowed to take part. But not in this film, thank god. The best scene featured Cher feeding a vocoder into the lips of her botoxed vagina and squeezing out a range of differently pitched fanny-farts which Christina then had to match with her multi-octave voice, despite the disadvantage of having her throat clogged up by a particularly stubborn globule of executive producer semen.