UNCHARACTERISTICALLY CONFRONTATIONAL MCCARTNEY NAMES NEW ALBUM "KISS MY BLACK ASS"

Sir Paul McCartney has rejected the advice of his friends, family and personal psychiatrist by giving his new solo record the needlessly provocative title Kiss My Black Ass.

Sir Paul has explained that the LP takes its name from the lyrics of gangsta rap group NWA’s 1990 track ‘100 Miles and Runnin’ which McCartney covers on the album. The lyrics in question are:
“Now wearin’ my dyes ‘cause I’m not stupid, motherf***ers / They’re out to take our heads for what we said in the past / Point blank, they can kiss my black ass.”

The rest of the album consists of other hardcore hip-hip songs which have inspired McCartney over the years, including Body Count’s ‘Cop Killer’, Snoop Dogg’s ‘Murder Was The Case’, DMX’s ‘Where The Hood At’ and Lil’ Kim’s ‘Big Momma Thang’.

The album has been recorded with legendary producer Tommy LiPuma and features appearances from Diana Krall, Stevie Wonder and Ghostface Killah. Sir Paul has even managed to persuade Eric Clapton to play electric guitar on a version of Public Enemy’s ‘Fear Of A Black Planet’ in spite of Clapton’s reputation for being a massive racist.

When challenged over the album title’s potential for causing offence on account of its profanity and appropriation of African-American cultural slang, the Liverpudlian Just For Men fanatic replied: “I can do whatever the s*** I like, motherf***er. I’m Sir motherf***ing Paul motherf***ing McCartney, bitch! I was in the greatest motherf***ing rock band in the history of the motherf***ing world. And before Wings I was also in The Beatles.”

TYLER, THE CREATOR CREATES MEDIA FRENZY BY SHOUTING THE WORDS "POO POO" AND "WEE WEE" AT THE TOP OF HIS VOICE

Not since NWA threw plasticine at the blackboard whilst their teacher’s back was turned, or since Eminem cruelly berated his then-wife Kim for being a “smelly smelly bum head”, has an emerging rap talent caused such controversy and media attention.

Tyler, the Creator, whose new record Goblin features regular use of severe expletives such as “poo”, “wee”, “willy”, “guff”, “divvy”, “toilet”, “winky” and even “mega spazz”, is now the subject of massive media attention due to his shocking taboo-busting lyricisms.

Gay rights groups have objected to his use of the terms “gay lord”, “humongous bummer” and “great big queer face” whilst feminist campaigners have denounced his continued insistence that girls whisper and they smell and they don’t like football.

As well as creating much publicity, the shocking language has produced much debate over Tyler’s outlook and intentions in the media and blogosphere. A range of opinions have been expressed on the Guardian newspaper’s message boards, where readers have discussed whether Tyler is a product of the harsh urban reality from which he doesn’t hail, whether his enthusiasm for unsavoury language is an elaborate exercise in post-modern post-PC irony, whether shouting “poo poo” and “wee wee” at the top of his voice is excusable on account of it being even funnier than that time Robert forgot his gym kit and had to do P.E. in his vest and pants, or whether rap music isn’t really of interest to them and they’d much rather listen to that new Kate Bush one.

When asked for a comment on his personal reputation, Tyler said he wasn’t allowed to talk to strangers, promptly kicked a girl he likes on the leg and ran off behind the bike sheds to eat a stolen Curly Wurly.