Wednesday, 23 February 2011

ITV ANNOUNCES LAUNCH OF PRIMETIME 'NOISE IDOL'


Noise music’s popularity has been steadily growing in recent years, with increased press exposure, specialist noise festivals springing up worldwide, a bigger presence at cross-genre festivals, and the endorsement and patronage of influential musicians such as Thurston Moore. And now it looks set to finally hit the mainstream, with the announcement of ITV1’s new Saturday night reality series Noise Idol.

The show, which is masterminded by executive producers Simon Cowell, Simon Fuller, and Tommy Keränen from Testicle Hazard, hopes to discover the next British Noise superstar, by auditioning hundreds of budding amateur glitch/drone/feedback artists. In front of a panel of celebrity judges, the contestants will be given the once in a lifetime opportunity to show off their din-making skills by performing either a self-penned composition or improvisation, or a cover version selected from a list of classic Noise hits, including Merzbow’s Degradation of Tapes, Wolf EyesStabbed in the Face, Whitehouse’s Wriggle Like a Fucking Eel, and Lou Reed’s Metal Machine Music (Side 4).

On the judging panel will sit No Fun Productions’ Carlos Giffoni, L.A. serial noise collaborator John Wiese, French “harsh wall noise” artist Romain Perrot (aka Vomir), and Britain’s Got Talent’s Amanda Holden. Vomir, who is known for always performing with a bin-bag over his head in order to shut out any distraction (many of his fans do the same), will persist in donning the bag for the filming of the show, and yet will still manage to look less plastic than Holden, with her nauseatingly botoxed face, and dead, dead eyes.

An ITV press insider explained that, although Holden may not be a qualified expert on the Noise genre, she had managed to judge Britain’s Got Talent to great success despite the impingement of having none whatsoever herself. They added that ITV’s ratings were guaranteed to go through the roof every time she forced melodramatic tears down her pretend cheeks, and that, during the pilot, she cried for virtually the entire duration of Sheila from Glasgow’s forty-seven minute repetitive-scrape-jam rendition of Crowning the Fur Purse by Prick Decay.

As is customary, ITV3 will broadcast a sister show directly following the main programme. “Noise Idol Xtra” will discuss each week’s performances and results, victors and evictees, with special celebrity guests, and will be co-hosted by Konnie Huq from Blue Peter and the man from The Haters who always wears some sort of leather gimp mask. "Well, at least it's not Adrian Chiles," joked Huq.

Wednesday, 16 February 2011

PANICKED RADIOHEAD QUICKLY RECORDING NEW ALBUM IN TIME FOR SATURDAY

Oxford über-whingers Radiohead are currently in the process of rush-recording their new album, entitled Kinky Limbs. Having got carried away with concocting supposedly innovative marketing techniques, and plotting a surprise release date, it completely slipped the band’s minds to actually produce any fresh material.

The release of Kinky Limbs was announced on Monday, to worldwide excitement amongst people who think they listen to “weird stuff” but whose tastes are in reality demonstrably conservative.

A source close to the band told us that Radiohead, who are currently in the studio with producer Nigel Godrich trying to churn shit out quicker than an industrial sewage pipe, are confident that they can come up with the goods by Saturday’s release date, that the band work well to tight deadlines, and that, if need be, they could always resort to throwing in one or two Jeff Buckley covers, or simply producing a collection of inferior versions of their former glories like they did for In Rainbows, a record which nevertheless proved massively successful with listeners who think they like music but don’t really.

Tuesday, 11 January 2011

BOB DYLAN'S NOSE SUING BOB DYLAN'S THROAT OVER UNPAID ROYALTIES

Bob Dylan’s nose has launched a lawsuit against Bob Dylan’s throat, claiming to be owed millions of dollars in royalty payments.

“Ah wuz Bob’s co-writuh, collaboratuh, an’ instrument of choice for forty-three yeurz, man, an’ ah wuz responsible for the sound that made him famous… the one mos’ folk can achieve only by wearin’ a peg,” said Bob Dylan’s nose. However, in late 2004 Dylan dropped his nose, citing “musical differences”, replacing it with his throat who has continued to tour with Dylan, playing mostly songs originally written with the hooter, now performed in a much more gravelly, but equally unpleasant, fashion. “Ah helped tuh craft an’ record those classic hits”, explained the nose, “which that phlegmy larynx haz hijacked an’ iz uzing tuh make himself millions in tour profits… you get me? He needz tuh pay hiz duez.”

Dylan’s first UK post-conk gig, at Manchester Evening News Arena in November ‘05 was a near disaster, at which a small number of Dylan’s older fans, disgruntled by the lack of nasal whining, heckled the singer-songwriter with taunts such as “JUDAS!”, “TRAITOR”, and “I OUGHT TO BUNG YOU UP MYSELF, ARSEHOLE!” Dylan’s more accommodating fans have since forgiven him, accustomed as they are to the musical legend’s minor, yet somehow controversial, spontaneous swerves in direction (such as abandoning acoustic guitars in favour of electrics, rejecting his Jewish heritage in favour of born again Christianity, and replacing inspirational protest songs with hastily-composed incomprehensible dirges about the apparent merits of Alicia Keys), and Dylan has continued to tour successfully throughout the world, performing to legions of frazzled beards and hipster twits.

The court case is set to go to trial sometime this March, as Dylan takes a break from his ongoing ‘Never Entertaining Tour’.

Bob Dylan’s throat, meanwhile, has been unavailable for comment, and is said to be busy working on a track called “I only coughed to say I love you” in collaboration with Tom Waits’ tar-coated oesophagus.

Friday, 24 December 2010

SPINAL BAP'S TOP ALBUMS OF 2010

The xXx - xXx
Unenthusiastic disco-goth featuring an unusually subdued Vin Deisel.

Janelle Monáe - The ArchAndroid
So ground-breaking, forward-thinking, and futuristic it didn’t even have gaps between the songs. Like Madonna’s Confessions on the Dancefloor. From 2005.

Robyn - Body Talk
SHE’S THE CREDIBLE FACE OF POP MUSIC
SHE’S THE CREDIBLE FACE OF POP MUSIC
SHE’S THE CREDIBLE FACE OF POP MUSIC
SHE’S THE CREDIBLE FACE OF POP…
Why aren’t you listening?
What do you mean you’re not interested?
Hello?

Katy Perry - Teenage Dream
An album as refreshing as having an ignorant Californian partygirl spray Bacardi hangover piss into your eyes and mouth whilst Snoop Doggy Dogg does a bit of a rap.

Gorillaz - Plastic Beach
Following the success of this record, Gorillaz mainman Murdoc plans to spend 2011 working on his conceptual cartoon band Blur. The “band” is made up of fictional characters based on age-old rock clichés who perform contrived novelty pop music for children. The members are “Damon” (the sanctimonious one), “Graham” (the misunderstood one), “Dave” (the boring one), and “Alex” (the floppy-haired cheese-making cunt). The project is a collaboration with Murdoc’s old flatmate, Arnold from Hey Arnold!

Hawkwind - Yes, We Are Still Going
Hawkwind are actually still going. This was their 283rd LP, they spent last month touring the UK, and currently live in what band leader Dave Brock believes to be a inter-dimensional multi-galactic quantum spaceship (a pokey bed-sit with tin foil for wallpaper and an overabundance of lava-lamps).

Michael Jackson - Yes, I did those things to those boys
Surprisingly confessional posthumous album from the late King of Pop.

Joanna Newsom - Have One (or rather, have eighteen) On Me
A record so needlessly long if you tried to sit through the whole thing in one go you’d end up with hair as long as Newsom’s herself and as well as a crippling physical aversion of all harps. But you can avoid listening to her warbling faux-folk hippyisms and still enjoy the album by not even playing the record and simply staring longingly at the many beautifully composed artful photographs of the singer’s long, stocking-clad legs which Newsom so generously included in the insert.

Vampire Weekend - Cuntra
Who says vampires have to hang around in coffins drinking blood and avoiding garlic? Some turn up in broad daylight, slap-bang in the middle billing of some popular indie festival, and proceed to play the kind of material Paul Simon himself would dismiss as “a little too Radio 2”.

Cher and Christina Aguilera - Burlesque Soundtrack
No, no, you’re quite mistaken. Burlesque in fact differs significantly from the humiliating and degrading practices of stripping or lapdancing. It involves elements of satire and vaudeville, the women are actually empowered by the experience, the participants never get completely naked, and sometimes even fat ugly birds are allowed to take part. But not in this film, thank god. The best scene featured Cher feeding a vocoder into the lips of her botoxed vagina and squeezing out a range of differently pitched fanny-farts which Christina then had to match with her multi-octave voice, despite the disadvantage of having her throat clogged up by a particularly stubborn globule of executive producer semen.

Tuesday, 14 December 2010

RUSSELL BRAND BATTLES INFIDELITY IMPULSES BY GRAFTING EXTRA VAGINAS ONTO BODY OF KATY PERRY

In a gallant attempt to remain faithful to his new bride and stave off the inevitable boredom of matrimony, Russell Brand has discovered an innovative new way of satisfying his compulsive urges for copious quantities of promiscuous sex. Using state of the art medical technology, Hollywood surgeon Dr. Denzil Lipstitch is to graft between 6 and 80 dead donors’ vaginas onto various locations of Katy Perry’s 26 year old body, for her satyriasic husband to discover and investigate at his pleasure.

Perry has expressed boundless enthusiasm for the operation, despite the procedure requiring several excruciating hours of painful surgery which will result in the singer’s figure looking like it’s been caught in the crossfire of a semi-automatic flangegun. In an interview with Radio 1’s preeminent investigative journalist Fearne Cotton, Perry explained that “I would do anything to make my man happy. I, like, totally dig him, and would gladly have the fannies… ha ha, isn’t that what you Brits call them here? …the fannies of car crash victims sewn all over my back and limbs if that’s what will please him.”
“Wicked,” agreed Cotton perceptively, “I mean, it’s, like, a bit weird for a strong, beautiful woman not to have some kind of cosmetic surgery in this day and age, isn’t it? Wicked. Brilliant. Totally wicked. I think it’s wicked. Wicked.” The interview subsequently petered out as both parties became increasingly distracted by a particularly shiny five pence piece.

The proposed operation has been condemned as an immoral perversion of science by US religious groups who frequently refer to Mary Shelley’s Frankenstein without ever having read it. However, Mr. Roger Mourning, widowed husband of one of the deceased twat donors, is pleased that his wife’s body will be put to good use. “Emma had such a generous soul,” he explained through a niagara of tears and snot, “and it is a blessing that she can keep on giving after she has gone. She was such a huge fan of Russell’s ability to tell embarrassing stories from his life as a sex-obsessed drug-addict to comic effect, and she also found one or two of Perry’s early singles to be mildly tolerable.”

Since the news broke, Brand has been unavailable for comment as he has been busy perusing the erotic literature section of a Covent Garden bookshop in 1786.

Friday, 26 November 2010

ALAN MCGEE TO ADD AUTHENTICITY TO SCREAMADELICA ANNIVERSARY TOUR BY SWALLOWING A GOB-FULL OF E AND WANDERING ABOUT BACKSTAGE TALKING ABSOLUTE BOLLOCKS

As if it wasn’t embarrassing enough already to tour off the back of a twenty year old album because recent material has been uninspired bargain-bin fodder with lyrics like “I‘m the garbage man/I’m the garbage man/Sticky fingers in your trashcan/I’m the garbage man”, now Bobby Gillespie (Mick Jagger for the rave generation) has decided to take his midlife crisis to a new low. Primal Scream’s 2010/11 tour sees the band playing their 1991 album Screamadelica in full, even though the record sounds rather dated these days and it was all producer Andrew Weatherall’s work in the first place. To relive his hedonistic, carefree youth, and to “add authenticity” to the tour, Bobby Gillespie (The Aldi Mick Jagger) has hired ex-Creation Records boss Alan McGee to be present backstage on every date of the tour, during which he will be required to consume a minimum of seven ecstasy pills per night with which to inspire his characteristic horseshit pronouncements such as “yir witnessing the future o’ music” and “ah bet yirs tae thousand poonds the nex' Heavy Stereo record is ga’in triple pla’inum, aye.”

The ‘Scream, as they are known by people who also still listen to Oasis and Shed Seven, are to reissue Screamadelica on March 7 next year, as a special collector’s edition boxset which will include 2 double LPs, 8 CDs, 27 ‘making of’ DVDs, a limited edition print of Bobby Gillespie (Mick Jagger for the deaf and the stupid), a postcard collection, two glossy posters, a t-shirt, a butcher, a baker, and a candlestick maker. The set is to be remastered by Kevin Shields and will thus fortunately never see the light of day.

Monday, 15 November 2010

CENTRAL INTELLIGENCE AGENCY COULDN'T GIVE A SHIT ABOUT M.I.A.

An insider from the C.I.A. has revealed exclusively to Spinal Bap that the intelligence agency to which he belongs is not in the least bit interested in the activities, opinions, pronouncements, or (especially) the music of Maya Arulpragasam, aka M.I.A.

This information is contrary to the claims of Arulpragasam herself, who is under the impression that the C.I.A. has bugged the telephones of both her and her extended family, and that the agency’s operatives follow her every movement in surveillance vans disguised with the words “U.P.S.”, “FEDEX”, and “ICE-CREAM”.

The reason, M.I.A. believes, for her supposed observance are her outspoken, controversial, and undeniably radical comments in press interviews, a small number of which read as follows:

“Governments are, like, well bad, aren’t they? Do you know what I mean? Cos, they, like, do wars and stuff. And wars are bad.” (NME, 2005)

“You know that movie, The Social Network, yeah, well that movie is just propaganda conceived to cover up the fact that Facebook was actually invented by The Pentagon to survey the activities of the masses. It’s, like, totally what happened in that book, Big Brother by George Orwell… which I’ve nearly finished reading.” (Guardian Weekend Magazine, 2010)

“Terrorism is good, you know, if it’s for a good thing, but terrorism what is for a bad thing, that’s, like, well, a really bad thing. But, you know who the real terrorists are, don’t you? It’s the governments. And the oil companies. Yeah, I said it!” (New Statesman, 2008)

M.I.A.’s lyrics, she claims, are also cause for concern for the U.S. government. For example, the incisive and incendiary rap/poetry of 2010 track Lovalot:

They told me this country was free
The FBI, well they don’t like me
‘Cos I’m just like Bob Marley
And also loads like Mahatma Gandhi
Shuck-a-lucka-lee
Push pineapple shake the tree

Our C.I.A insider denied M.I.A.’s allegations, however, stating that “the state is on high terrorism alert, for God’s sake. The Taliban are continuously establishing more and more fundamentalist sleeper cells throughout the western world with the aim of destroying every aspect of our society, culture, freedom, happiness, our life as we know it. Don’t you think we’ve got better things to do with our time than follow the insipid actions of a Mercury nominated hip-hop/grime/world music fusion artist?”

He also urged other musicians to try to curb their egos and sense of self-importance, instead of perpetuating the damaging myth that the security services are wasting tax payers’ money on surveying celebrities who are both harmless and overexposed in the media in the first place. The C.I.A. operative, who has close connections with his British counterparts, asked us to recall the interview in which Radiohead’s frontman made similar announcements, around the time of the group’s comatose glitch-pop album Kid A. “Remember when Thom Yorke decided that MI5 had a file on him? I chased that up. Turns out they had a copy of OK Computer next to the office stereo, with a post-it note stuck to the CD case reading ‘about as threatening as a damp ham sandwich.’”

Though of course he would say that.